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Showing posts with label portraiture. Show all posts
Showing posts with label portraiture. Show all posts

Wednesday, October 30, 2013

Life Sized Figure Painting (with some camp and metaphor)


This piece lightened up both in pallette and mood from my original concept to the finished result. It was darker and more somber in my sketches. I don't mind the change, but would like to try variations of my original idea and sketches in future figure work. It certainly is seasonally appropriate.

(Edit/update: My goal was to have this ready for a show I'm hanging in Arlington. However, there is an issue that the piece may be too big and a safety issue to hang. After sleeping on it, I'm thinking the piece lacks something in a flow. I'm going to take it back home today and try to take it to a resolution that works for me.)


oil on wood
84"x28.5"

Monday, October 7, 2013

Thursday, August 29, 2013

Fantasy Portrait for a Young Child - and My Approaches to Portraiture with Infants, Children, and Pets

     A little something on the light and cuter side I had finished earlier this summer
                                             (my twitter followers may have seen this already):


Jeanne Hospod

The Bunny Hutch Sleepover
acrylic ink and acrylic paint on stretched canvas
approx 12"x 8"

One of the frequent questions I'm asked by people when they see my work is if I can do a portrait of their infant/young child/pet in a similar approach as I would with a self portrait or other portraiture. The answer is, unfortunately..no! That kind of work requires someone who can commit to a live sitting over several sessions and keeping reasonably still.

I suppose they mean from photographs, but I really hate using them other than for very small reference areas post live sitting. There is so much lost in translation (color, dimension, as well as the vibe and urgency of all the moments of the session distilled into one)  in using photo references as a main source. 

I have painted a few older children directly. They do need to be mature enough to understand what they are committing to, be a willing volunteer (separate from the parent's imposed wishes) and are able to relax into a pose with minimal fidgeting,  I ask that the parent also budgets for and pays the kid for their time as they are working almost as hard on the portrait. I'll bring a roll or two of quarters per session and pile up the earnings for every 15 minutes (after each period I give them a mini break) of keeping still. It also helps to have a favorite movie playing in their line of vision.

I've  also made gestural action sketches from life...the type of drawings that are only minutes long and made in multiples. I would then pick the best out of a group from an afternoon's work for a reasonable compromise with someone who wants an observed interpretation. ( Side note: As far as pets go, cats, with their flexi spines and springy selves are great for this sort of thing. Dogs can get a little weirded out if they are on to the fact you are watching them intently for a period of time..they feel stared at which is a threat to them. They hunch over, lick their nose nervously and sloooowly slink out of the room....) 

The other alternative is to create work based on infants/young children/beloved pets is to approach it with my dreamscape/fantasy kind of work. In the example above I had the mom give me some highlights of the child's loves, quirks, curiosities, anything that captures his attention. I will accept family photos for this, as it's more for a broad cartoon like approach to a likeness. 

The boy pictured was only about a year old. From what the mom told me, he was a pretty chill little kid, friendly, loved cookies, his blanket, and was born in the Year of the Rabbit which she wanted to me to reference in  some way. So I imagined him just a little older with a bunny pal, having his first sleepover get together at his BBF's (bunny best friend) family underground hutch. His own family is comfortingly nearby (used references of the family home) in upper right background.

On an end note: I worked with this family quite a bit in the past. 

I painted his older brother (the zipping by skater pictured above) as an infant in the same approach years ago:

I remember photos of a really cute little baby with huge ears! Fortunately for me, his mother made a point that I capture them. So I played with it by using the shape of a Saturn like planet framing him, the shape furthered echoed with the U.S. Earthmama flying the spaceship he's tethered to.

When he was older, he posed for a live sitting with no small  help of the first Harry Potter Movie playing nearby:

Thought I'd add this too:
Years ago I had also had painted a album cover and graphics for the mom (the originals are in her collection), who is a musician. She wanted themes in reference to her experience of being a first time mother. I see a continuum of motifs in my current dreamscape work..fertility, tendrils of tangled growth, and space.












Friday, February 8, 2013

Portrait of Skye Completed

            Finally completed this. My niece, Skye.
48"x24" oil on canvas
 Here are the previous stages:
                                               (you may want to click on it for a closer view)

Ideally, this portrait would have been painted directly from life, start to finish. Unfortunately , that was not possible. It was started and about 85% to a stage of completion on site, when various factors such as my niece's and her mama's apartment move (the new environment would be a different one than her balcony..not something I'd rework as that would be a different light and composition.) In addition, the final possible sitting was interrupted by a surprise visit from some of my nieces's friends, cutting the session short. Then I had to deal with my own major move, getting settled and back into the oil paint and working from life. My dreamscape work (totally from imagination) sustained me when I didn't have much of my supplies., or when I was bouncing between many errands of setting up the household here in Arlington.

Although I do eventually finish what I start, I was very uneasy about going back into this piece. When I work in oils from life, I feel strongly about committing to direct on site observation. Photos usually don't cut it for me. Still, I'll photodocument the scene for insurance in case a tiny area needs adjusting or tweaking, and something prevents a final on-site session. I know some painters do work entirely from a photo source and make it work in its own world.  Although it makes the logistics of working much easier, (no fading or shifting light to capture, no crowds, no weather challenges) I just find I can't capture the color (the human eye sees so much more color than what a photo can pick up) as well as the urgency, the many shifting moments, just the vibe of being there. Sometimes the frustrations of live sessions are the fire behind the most successful pieces. 

So not finishing my niece in that final life session left me a bit bummed out last summer. It was a situation that left me with this choice: either I abandon the work as is for idealism's sake or try to make it work in a new circumstance with a different approach and emphasis that may drift away from the totally naturalistic direct observation route. After warming up with several smaller on site separate paintings, I pulled out my digital references and tried to resolve this one. I found that my dreamscape work actually helped. That body of work it is very decorative and patterned, with areas flowing into others. I manipulated the environment and pattern of lights and shadows as well as tweaking other shapes of colors to make the composition flow better.

I still think three more hours of a live sitting > a week of studio tinkering from photos and imagination. I did lose some things in the removed studio route, but it was an interesting experiment nonetheless. 




Sunday, April 22, 2012

portrait of Skye (in progress) April 22nd

Here is my latest potrait session with Skye, my 9yr old niece. The light is dramatic but difficult. The light beam towards sunset changes rapidly over her body and the "sweet spot" of opportunity to capture her is too long (for her...the sun burns) and way too soon (for me -I'd like more time)-. I have one, maybee two more opportunities left before it is impossible to continue it any more (she and her mom are moving to a new apartment next week.)

Sunday, November 14, 2010

Finished a portrait..

head and shoulders portrait of John in oil paint on canvas
John 20"x20" oil on canvas Really interesting model, too. I enjoyed the sessions.

Friday, October 22, 2010

Self Portrait Work past and present

An oil painting self portrait of my head and shoulders.
Some self portrait work past and present

Self Portrait oil painting in a mirror reflecting a mirror-head, shoulders, hands, canvas and paintbrush
Oil painting self portrait of head and shoulders with paintings on wall in background
Seated self portrait oil painting in studio at night.
Nude self portrait oil painting, in front of tornado drawings, reflecting cat in window


Self portrait  oil painting in my backyard


Self Portrait oil painting in black boots

Self portrait oil painting with flowered fabric behind head and shoulders

Life sized full figure self portrait oil painting with animated arm
Life sized full figure self portrait oil in the act of painting



Self portait oil painting waist to head (in tank top and pigtails) in front of window with tree

Self portrail oil painting of head and shoulders

Self portrait oil painting in a broken, dirty, paint splattered mirror

Self Portrait oil painting sitting on floor, painting in maroon skirt.


Self portrait oil painting -head and shoulders partally obscured by dying flower arrangement
Self Portrait Triptych oil painting of figure surrounded by landscapes

Self Portrait oil painting -head and shoulders with promenent blue shadow

Seated self portrait oil painting with paintbrush and pallette in front of tornado drawings

Self Portrait oil painting of head, shoulders, and upper torso in front of paintings in purple and blue room

Self portrait oil painting of head and shoulders in front of webbed xmas lights

Self Portrait, full figure seated oil painting with orange cat sleeping


oil painting self portrait triptych with still life of plants, other paintings, stools, and lamps

 Update (May 2012) you can find an album of more recent self portraits as well as other portraits in my album HERE