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Saturday, July 30, 2011
Friday, July 29, 2011
flying kitties
one of a pair of dreamscape paintings based on the characters in my animations (see upper left of blog for the both of them: "One" and "Four") 13"x15" total with painted frame (originally on a 5"x7" canvas)
Wednesday, July 27, 2011
Monday, July 25, 2011
uploading catch up -dreamscapes
All are acid free watercolor, metallic and india ink on watercolor paper. All are approximately 10"x5.5".
More uploads to come this week. I regret that I cannot scan these (part of my computer problems) but may get to do so on a friend's setup. In the meantime I will be uploading more work throughout this week until Friday.
More uploads to come this week. I regret that I cannot scan these (part of my computer problems) but may get to do so on a friend's setup. In the meantime I will be uploading more work throughout this week until Friday.
uploading catch up tree silhouette ink paintings
all ink on handmade paper collaged on canvas. square formats are 8"x8"; all rectangle formats are 11"x14"
Thursday, July 14, 2011
Portrait
I got a better shot today. Tripods and better light make all the difference in the world. It is so much less hassle to make reproductions of work these days with digital media. I remember when (said in the same tone of voice as your grandpa telling you he walked uphill both ways to school and home as a kid) the expense and all the hassles of traditional photography slides that were required for pretty much everybody for submitting and sharing work.
These days all you need is a decent megapixel digital camera, indirect light mid day (I find direct sun on the painting tends to over highlight and shadow the brushstrokes, making it look crusty) and preferably a tripod. Use museum setting or turn off your flash. Tweak the levels in Photoshop (or other editing program) to make up for any blue tones from outdoors and you should have a decent file of your work for sharing or reproduction.
Scanners for smaller works make great reproductions too. Actually, you can scan large paintings on a small scanner and stitch them in Photoshop for really amazing quality reproductions. I should make a blog post about that later.
These days all you need is a decent megapixel digital camera, indirect light mid day (I find direct sun on the painting tends to over highlight and shadow the brushstrokes, making it look crusty) and preferably a tripod. Use museum setting or turn off your flash. Tweak the levels in Photoshop (or other editing program) to make up for any blue tones from outdoors and you should have a decent file of your work for sharing or reproduction.
Scanners for smaller works make great reproductions too. Actually, you can scan large paintings on a small scanner and stitch them in Photoshop for really amazing quality reproductions. I should make a blog post about that later.
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