Fantasy Portrait for a Young Child - and My Approaches to Portraiture with Infants, Children, and Pets

     A little something on the light and cuter side I had finished earlier this summer

                                             (my twitter followers may have seen this already):

The Bunny Hutch Sleepover

acrylic ink and acrylic paint on stretched canvas

approx 12"x 8"

One of the frequent questions I'm asked by people when they see my work is if I can do a portrait of their infant/young child/pet in a similar approach as I would with a self portrait or other portraiture. The answer is, unfortunately..no! That kind of work requires someone who can commit to a live sitting over several sessions and keeping reasonably still.

I suppose they mean from photographs, but I really hate using them other than for very small reference areas post live sitting. There is so much lost in translation (color, dimension, as well as the vibe and urgency of all the moments of the session distilled into one)  in using photo references as a main source. 

I have painted a few older children directly. They do need to be mature enough to understand what they are committing to, be a willing volunteer (separate from the parent's imposed wishes) and are able to relax into a pose with minimal fidgeting,  I ask that the parent also budgets for and pays the kid for their time as they are working almost as hard on the portrait. I'll bring a roll or two of quarters per session and pile up the earnings for every 15 minutes (after each period I give them a mini break) of keeping still. It also helps to have a favorite movie playing in their line of vision.

I've  also made gestural action sketches from life...the type of drawings that are only minutes long and made in multiples. I would then pick the best out of a group from an afternoon's work for a reasonable compromise with someone who wants an observed interpretation. ( Side note: As far as pets go, cats, with their flexi spines and springy selves are great for this sort of thing. Dogs can get a little weirded out if they are on to the fact you are watching them intently for a period of time..they feel stared at which is a threat to them. They hunch over, lick their nose nervously and sloooowly slink out of the room....) 

The other alternative is to create work based on infants/young children/beloved pets is to approach it with my dreamscape/fantasy kind of work. In the example above I had the mom give me some highlights of the child's loves, quirks, curiosities, anything that captures his attention. I will accept family photos for this, as it's more for a broad cartoon like approach to a likeness. 

The boy pictured was only about a year old. From what the mom told me, he was a pretty chill little kid, friendly, loved cookies, his blanket, and was born in the Year of the Rabbit which she wanted to me to reference in  some way. So I imagined him just a little older with a bunny pal, having his first sleepover get together at his BBF's (bunny best friend) family underground hutch. His own family is comfortingly nearby (used references of the family home) in upper right background.

On an end note: I worked with this family quite a bit in the past. 

I painted his older brother (the zipping by skater pictured above) as an infant in the same approach years ago:

I remember photos of a really cute little baby with huge ears! Fortunately for me, his mother made a point that I capture them. So I played with it by using the shape of a Saturn like planet framing him, the shape furthered echoed with the U.S. Earthmama flying the spaceship he's tethered to.

When he was older, he posed for a live sitting with no small  help of the first Harry Potter Movie playing nearby:

Thought I'd add this too:

Years ago I had also had painted a album cover and graphics for the mom (the originals are in her collection), who is a musician. She wanted themes in reference to her experience of being a first time mother. I see a continuum of motifs in my current dreamscape work..fertility, tendrils of tangled growth, and space.

Mini Landscapes (repaired/reworked)

Here are just two additional pics to add to today's previous post.

These are repaired and reworked previous images.

both 6"x6" acrylic and acrylic ink on canvas

 I've found that acrylic ink is a great portable, fast drying, pigment rich medium for on the go one shot studies.  However, I discovered if the paint is laid on too thick, it can risk cracking shortly after a session. Generally, I have painted in thin layers so it hasn't been a huge issue overall.  I currently bring along a tube of good regular acrylic white and a few other colors, along with gloss medium if I think I might get a little heavy handed, and the result has been stable.

Larger work of more depth in oil will be coming up in a near future post.

Handful of Mini Landscapes

                                   

On a lighter and brighter side, some portable mini studies in acrylic ink 

sizes top to bottom:

5"x7"panel

7"x5"panel

3"x2"on panel and recycled frame

3"x2"on panel and recycled frame

5"x5" on recycled panel with built in frame

approx. 5"x10" on watercolor paper

7"x5" on recycled wood panel with built in frame

Putting the Past to Rest

This piece is the most antithetical to my usual process. My typical approach to work when I'm moving too slow for comfort is to put it on the back burner and pick up another painting in progress, or just start a new one. This was an almost daily building and assembling of smaller pieces. Sometimes it plodded, where I'd spend more time looking than in movement, but it did pick up momentum near the end. I first thought the presentation would be simple, but getting the worlds of the smaller images to relate meant going back into those panels and larger backing plank with more paint, and reminding myself to review and adjust the piece as a larger whole.

The piece is in acrylic inks and paints. Some are metallic so I shot it in different lights to get the different effects. (Size: approximately 40x26 inches, assembled wood panels, stretched canvases, and mini frames)

Since my last post, I had continued to create various paintings in the vein of my interpreted and invented decorative tree studies and other dreamscape work. The approach is the opposite of work from direct observation or impression. (I have also been painting outdoors and will have future posts on that group. ) The invented/interpreted style, which is intuitive, decorative, patterned, more symbolic than observed imagery, and obsessive has been grounding when I've felt anxious or unsettled.  These past several years have been a time of a lot of sad milestones and changes in my life. The work has been a way to stay in motion as I pass through such times.

In summer 2011 until the end of that year, my siblings and I were dealing with mom's cancer, subsequent passing, and the aftermath of our father's care. Up to age 84, Dad had maintained a semblance of physical independence, but his mental health was more fragile. He had long suffered ongoing bouts of severe anxiety. This was compounded by an early but (at the time) undiagnosed stage of dementia. He still managed to present a competent, if somewhat agitated facade to the outside world, and refused residential care or medical treatment for these health issues. It wasn't until he was discovered on his back by the cellar stairs, post-fall (a month after our mother's passing) that he could be removed from the family home for rehabilitative/assisted living.

During Dad's nursing home stay, there was a window of time where my sister and I could mutually communicate with our father with calm and rationality. He had finally been medicated and we could connect with the well-intentioned man behind the static cloud of anxious impulsive outbursts. We wished our father could have accepted this help earlier in his life.

                         

 After this period of some peace and clarity, Dad's health continued to decline.  His suffering of a myriad of digestive problems from a decade's past radiation cancer treatment was compounded by an irrevocable increasing loss of all motor control, leaving him bed-bound and unable to even swallow food.  Dad died this past December, just over a year Mom left us.

Because of our father's service in WWII, we found he and Mom were eligible for the interment of their ashes in a wall at Arlington National Cemetery, just a few miles from where my sister and I currently live. They were on a waiting list, so the service was performed this past June. It was worth the wait. The weather was beautiful, warm but not hot, clear skies and everything green. The ceremony was dramatic, brief, solemn, and silent other than the punctuation of a multi-gun salute.

                     

 


It's a weird feeling to think about the family home. Dad bought the three bedroom stone colonial when mom was very pregnant and near due with me. I was raised there with my brother and sister, then boomeranged back for brief periods during and post-college years, until I left the Philadelphia metro area for good at 25. I needed to make a solid break away from childhood. My parents remained there until Mom was moved to my sister's place for end care, and Dad's accident, so it was the homestead for just over 40 years.

                                 

       

        

 Other than for cobwebs and debris, it's empty now.


As a little kid, I remember me, my brother, sister, and parents crammed into the family Honda, pulling out of the driveway for weekend daylong excursions. Leaving the rows of pretty, tree-lined but cookie-cutter well-maintained homes of Drexel Hill, we would occasionally pass a dilapidated abandoned home at the edge of some farmland or some solitary crumbling brick structure bordering on between a depressed desolate urban and industrial area. Dad would point it out exclaiming,  "There's a dream home!" Being five and not quite hip to the concept of sarcasm, that's what I thought a dream home was: a lonely, dark, ramshackle dwelling. The name made sense as I started to have dreams of being lost in them late at night, with no one around as far as I could see. Sad and scared, not sure how I got there, nor how to get home, I'd awaken in my flowered twin bed next to my sister in the sunshine lighting up our blue bedroom.

The last time I was in the family house was during a brief trip with my sister.  I was to gather any remaining mementos: letters, photographs, and art.  Jan collected important documents and financial records.  The place had already been overhauled by a local so-called Samaritan who offered his services to sell the family furniture, crystal, and other items of value for our father, but then pocketed the proceeds. As a final courtesy to the neighbors, (not being sure when the bank would claim the property) we did a little yard work.

In the dark master bedroom, superimposed on the dusty, strewn, unfurnished, picked over leftover...stuff, I could recall the final version my mom maintained during a previous caregiving visit. Like the rest of the house, it required renovation, and there was some help needed with the housework (I pitched in), but it still had Mom's touch. Up to that time, she had kept the home colorful, comfortable, and reasonably clean as long as she could.  Even when she was too ill to stand, she wanted to be productive, so I'd fetch clean laundry from the dryer in the basement for her to fold in bed, while she watched her tv shows. Junior the cat would be lounging by her hip, gazing besottedly at her all the while (I never met a cat so...fixated on a person than that little fuzzy tuxedoed gentleman), purring.

Her bedroom was the unofficial family gathering area. In the early evenings, we (any number of us: me, my siblings, or even my siblings' friends ) would bring up Ovaltine and snacks hang out on the pushed together twin beds and chat over the primetime lineups or cable movies. Family pets would flank my mom's bed or simply drape themselves around her. Sometimes Dad would be there, but more often he was away working the night shift for IBM fixing computers around town. He later took over other bedrooms as we grew up and out of the home, due to his ingrained sleep schedule.

                  

In the surrounding neighborhood, I had picked up the lifelong habit of long walks. Once, as a hormonal stressed teen, I had impulsively bolted out of the house for a run through the dusk spring night. Never being athletic or even all that physically active, I couldn't go that fast, nor could I keep the pace up for long but I did get the sensation of tightness in my chest loosening. I slowed to a walk and just observed the trees and sky overhead for several mile loops. The anger and anxiety lifted and I felt, (although couldn't really articulate it), a sense of "flow".  I set out again the next night, and it became a regular activity.

The running didn't do well for my shins or ankles (I'm sure my form was shit), so I transitioned to just walking. I'd skip bus rides home in favor of hoofing it. I'd hike in the early evenings after dinner on school nights in all weather and seasons.  Sometimes I enjoyed the company of Mom (she developed endurance and we would walk and talk for miles, a treasured memory) or with a friend, but usually, it was a solitary activity, where I passed through nature and time at a rhythmic steady clip.

That "passing through" is what I think of when painting those symbolic successions of profiles in this piece below. I understand they could be interpreted as ghosts, which can be a fun narrative to creatively play with, but I don't really believe in them, nor an afterlife. The living are haunted with memories of loved ones who can't be reached anymore. Some are deceased, some have permanently split ways as the bonds that were once strong and genuine have withered or been severed.

                

Houses aren't haunted, but they haunt dreams.

A repeated dream: walking at night from 69th Street Terminal to the house like I used to, expecting to see my mom's bedroom light in her window, maybe Buddy the cat on the porch roof peering in and meowing for her to let him in (his own way of coming and going when he was alive). Instead, I arrive at a dark dirty, empty place and I can't find anyone. Only then I notice street lights have gone dark and so have the neighborhood homes. The area is abandoned. The only sign of life are the overgrown trees, shrubs, and unmowed lawns spilling over the sidewalks. I think about turning around and heading to the city, but then suddenly remember that too many from my circle of early adulthood have also passed away recently. I search on my phone for other contacts, but can't find or make a successful connection. There's noise, they talk but can't hear me, or I can't hear them. We drop off.

 I don't know where to go.

I wake up at my sister's apartment in Arlington, relieved to be in my current life and shake off the plaintive, creepy pull of the dream. Sometimes it helps if I imagine a young couple moving in our old residence, making repairs and setting up their new life.

 I wish them the best.

Still life - Asian Pear and Skull Cloth

8"x 10" oil on canvas

I had a smaller companion piece, but disposed of it after painfully reworking it to no satisfaction too many times  That's frustrating, but there's a time to let it go. When I was younger I had the issue of starting too many things (though energetic and enthusiastic about various works) I couldn't or didn't finish. I now prefer to see work resolved if there is any way it can be done. Sometimes it can't, or I can't. 

Upload in a day or two on a dreamscape for a young child.

Still life - Apple

Apple-oil on canvas 6"x 6"

I've been working on various dreamscape projects too. Unfortunately one of them crashed and burned last night after wrapping up the still life. I still may try to resurrect it, but I have to keep in mind where my energy goes. 

Reorganized my website jeannehospod.com  (note: this site is for lap/desktop viewing-not my smartphone/tablet site  m.jeannehospod.com )  

The site should be loading faster and easier to navigate through, with better viewing options. Purdier design/colors, too, at least I think so. Any feedback in the comment section would be appreciated.

Small detailed work can be seen up close , like this mini  mini multiple grouping from some years back -(there's a few scattered explicit images so NSFW/18yrs+ viewing..yadda ) or this one. I've been thinking about revisiting the idea of many multiple stream of consciousness style works that resonate with each other and reveal a story as they are created. Instead of putting it all  in one piece, I'd make a larger body of work for a future show. It may be a way to unify a lot of overwhelming ideas into a single attainable goal, and a guide for working over the next year or so.

Dreamscape 2/19/13

acrylic on recycled assembled wood panels

approximately 6"x 6"

Still Life-Grapefruit, Avocado, Lemon

                                                                11"x 11" oil on canvas

                                                                         and the stages....